How to sing into a microphone

Understanding Microphone Types

When it comes to singing into a microphone, understanding the type of microphone you’re using is crucial. The two primary types are:

• Stage Microphones: Typically dynamic microphones, these are generally handheld and used during live performances. They are durable and less sensitive to ambient noise.



• Studio Microphones: Often condenser microphones, these are more sensitive and usually mounted on stands. They capture a broader frequency range, making them ideal for studio recordings.

While these microphones differ in design and application, both require proper technique to achieve the best sound quality.

Essential Microphone Techniques

Regardless of the microphone type, adhering to the following guidelines will enhance your vocal performance:

• Understand the Components: The microphone head houses the sound transducer which picks up your voice, the body contains circuitry (and with handheld microphones is for holding), and the XLR connection is where the cable connects.
• Sing ‘On-Axis’: Direct your voice into this sensitive transducer portion of the microphone head. This will generally be a grille mesh, protecting the sensitive transducer inside it. Handheld mics need you to sing into the top of the grille, while condensers are generally sung into from the side. Doing this ensures the transducer accurately captures your sound.
• Proper Grip: In the event it’s a handheld microphone, hold the microphone by its body, and avoiding cupping the head with your hand, to avoid muffling or distorting the sound, or creating handling noise.
• Distance Matters: Maintain a distance of approximately 1–6 inches from the microphone. Handheld dynamics are less sensitive, so you generally need to be closer. Condensers in the studio are MUCH more sensitive and you’ve got a lot of wiggle room. Closer proximity increases volume and bass frequencies (known as the proximity effect), while being too close can cause distortion.
• Manage Plosives and Sibilance: Sounds like “P” and “S” can create harsh noises. Use pop filters in the studio or foam covers on stage to mitigate these effects.
• Consistent Positioning: Keep the microphone at a steady angle and distance to maintain consistent sound quality.
• Don’t Rely Solely on the Microphone: Merely holding a microphone doesn’t automatically amplify your voice – it’s not a magic wand. You must sing into the microphone to be heard.

Final Thoughts

Developing good microphone technique is essential for any vocalist. It takes time to learn, but it’s really not that tricky. Once you get it, it becomes a piece of cake… and actually quite a lot of fun.

As you practice this, try moving closer to or further away from the microphone. Distance and angle plays a huge part in tone shaping, but that’s something that only you and YOUR voice can figure out through repeated practice.