What Makes Certain Songs Hard to Sing

If you have ever tried singing your favourite songs, you’ve probably recognised that some are harder than others. You may have even found that some have near identical range, and yet some feel utterly unachievable. Why should this be?

I regularly speak with clients about such songs they find difficult to sing. Comments come up like:

“I’m fine until the bridge/chorus/outro, then I’m knackered”
“It doesn’t seem particularly high, but I seem to struggle to hit the same notes I can in other songs”
“I can’t seem to find a key that makes this song singable – what’s going on?”

These are all common complaints I hear about people trying to sing some songs. In particular, certain songs and certain genres seem to hold much harder melodies for people to sing.

As it happens, there are mechanical and musical reasons for why certain melodies and intervals are harder to sing than others. There are characteristics that, once you learn what they are, you can scan for when listening to songs. Moreover, the more of these melodic characteristics a song possesses, the harder the song inherently becomes.

Characteristics of difficult songs

I’ve got ten traits in mind. Some of these are “voice moves”, tricky things to ask your voice to do, and others relate to general hallmarks of what makes songs easier/harder to sing.

I’ll discuss each briefly so you can grasp why these characteristics make songs tricky. There are many others I can think of, but we’ll start here for you.

0. Key too high/too low/wrong for you
I go on so much about key choice, so I’m going to be brief here. If you are trying to sing a song in the wrong key for you – too high, too low, etc – the song will always be difficult so sing. The following points are to cover attributes within songs themselves, assuming that key choice isn’t an issue. Continue reading “What Makes Certain Songs Hard to Sing”

Learning to Riff: Why most people find it hard & why it can be easier than you think

I was having a conversation with a client recently about riffing: what it is, why it’s useful, and why it seems difficult to many.

For the ease of discussion let’s say that anything that extends the melody beyond the original for dramatic/musical effect is a ‘riff’, and that riffing is therefore the act of extending the melody in such a way.

I’d say that most singers want to get better at riffs/riffing, but that they find it hard to do. I’d also say that a lot of singers who think they are good at riffing are not as good as they think they are, and typically repeat the same old basic tricks over and over. But why is it hard to do? And could it be made easier?

The simple answer is yes, but there’s some important logic and understanding behind that answer. Let’s break it down. Continue reading “Learning to Riff: Why most people find it hard & why it can be easier than you think”

Descriptive vs Prescriptive Teaching

We had a workshop yesterday, and one of the participants commented on how they had once been told by a singing teacher to “put the sound in *THIS* cavity” accompanied with a finger pointing to somewhere in the head. The main reason he brought this up was because of how unclear and confusing that language was, so I thought it was worth talking about descriptive vs prescriptive teaching.

Descriptive Singing Instructions

If you’ve ever had a singing lesson, or looked online for singing videos, there’s no way you’ll have escaped the weirdness of such instructions. “Put it in the masque”, “make it brighter”, “the sound should open downwards not outwards”, “sing from the diaphragm”, “don’t sing from the throat”, “gain strength from your knees”, and other such gems. At least one of these statements I’d even agree with, in the sense that I also feel this when I sing, so they’re not “wrong” per se, they’re just not helpful. Continue reading “Descriptive vs Prescriptive Teaching”

Why do I keep losing my voice?

Why Do I Keep Losing My Voice?

Most people lose their voice due to one or more of the following: abuse (e.g. shouting), overuse (e.g. too much vocal activity without rest), or misuse (e.g. unhealthy speaking habits). Identifying and adjusting these patterns is key to recovery and long-term vocal health.

“Why do I keep losing my voice?”

As well as…

  • “Why am I constantly hoarse?”
  • “I feel like I’m never getting back to full strength vocally”

The truth is, losing your voice can be caused by something very small and simple, but is a serious, serious thing whatever your job.

I meet a lot of speakers (e.g. church preachers, business-people, teachers, call-centre staff, etc) who are losing their voice on a regular basis throughout the year.

Why is this?
This is due to abuse, overuse, and/or misuse.

When we do any or all of these things we cause a swelling in the vocal cords — an edema. If we are not careful, this general swelling can become localised inflammation such as nodules… which can carry serious consequences (read more about nodules here).

The best way to tackle losing your voice (before even talking about voice therapy) is to identify where you are abusing, misusing or overusing your voice in the week.

IMPORTANT DEFINITION: A comfortable speaking volume is the volume you would use when holding a conversation with one other person, in a completely silent room. This is your voice’s natural weight and calibration showing through. Bear that in mind as we read the following:

AREA 1 – Abuse

This is often the easiest one to spot. If you spend a lot of time at football matches or clubs, then you’re going to be shouting. It only takes a few minutes of intense shouting to cause noticeable damage to your vocal cords.

Even a soft yell or aggressive speaking style used for dramatic effect can wear on your cords over time.

Mark’s Suggestion: Reduce your weekly vocal load
Look for regular events where you’re raising your voice and reduce the frequency, duration, or intensity where possible.

AREA 2 – Overuse

This one is trickier. Many people don’t realise how much they’re using their voice. You might not be shouting, but you may be speaking at length over multiple days without rest.

Mark’s Suggestion: Establish and change problematic patterns
Track when your voice starts to fatigue. Look for back-to-back vocal-heavy days and reduce usage where possible. Rest is critical.

AREA 3 – Misuse

Misuse refers to how you’re using your voice, even if the volume and duration aren’t extreme. Speaking with excess breathiness, glottal tension, or vocal fry can wear out your voice over time.

Mark’s Suggestion: Establish a base-line of your voice, and stick to it
Compare your neutral speaking voice to how you sound during work or stress. You may be deviating from healthy norms without realising it.

Summary

Question: Why do I keep losing my voice?
Answer: Abuse, overuse and misuse

Revisit your week and assess these three areas. With a few simple changes, most people see massive improvements within weeks—and lasting resilience within a few months.

Try following the above suggestions, and look after your voice — it’s the only one you’ve got!

Learn More: Related Articles

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