Michael BublĂ© – ‘This Love’ Cover

I love Michael Buble. Great voice, great act, class songs. He puts songs in really difficult keys for men… not especially high, but positions the ‘money notes’ juuuust over the first bridge, and delivers it with quality rather than shouting. What a dude.

This is a fun cover, but it’s a little weird hearing Michael Buble covering Maroon 5. It’s also somewhat weird hearing his Sinatra-isms shine through in a pop song. Have a listen, and notice how style can make someone ideally suited towards one genre, and perhaps a little out of place in another.

Regardless, sit back, and enjoy the magnificent musical stylings of Mr Michael Buble.

Songwriting: My Fourth Lesson – Looking for songwriting inspiration?

In previous blog posts on songwriting I’ve covered various topics, namely just getting something being a great way to get good songs quickly, how writing about anything or nothing allows you to get the creative juices flowing, and how to…

This time I want to tackle something from a more philosophical perspective.

One of the most common comments from students who claim to be songwriters is that they hate waiting for songwriting inspiration – and that it seems to be months between inspired creative bursts.

I learned this the hard way:

Don’t wait for inspiration.

Now I’m not saying that inspiration isn’t helpful, particularly songwriting inspiration, that moment where you have an inkling of an idea and you can’t wait to have a free moment to get it out of you, or those times where you have a topic you’re burning to write about that spurs you to a complete song in an hour or two… However, every songwriter will tell you that those unprompted moments of focus and unbridled clarity for songwriting inspiration are infrequent at best.

The reality of life is, we’re rarely as inspired as we dream we should be or could be. We often sit down ‘waiting’ for inspiration to strike, as if it’s the universe’s fault we’re just not inspired.

Contrary to this common artist’s mantra, the answer is NOT to wait for songwriting inspiration to strike, as you may as well be waiting for the rest of your life. The answer is simple, and straightforward, but not easy.

The answer?

Write little and often, and do it regularly, with or without songwriting inspiration, whether you want to or not

There are a number of great books like ‘Outliers’ and ‘The Talent Code’ that tell you about how the most skilled people in particular fields have spent around 10,000 hours on that skill. While those people will undoubtedly have great focus and determination, their greatest asset their drive to just get down to doing their particular activity every day – whether or not they feel as inspired as they should be. Athletes, musicians, inventors… songwriters… we all need to get down and do it, and do it often – that’s how you get good at it. With or without inspiration. Like most things, the path to being a great writer is plagued with things you don’t want to do in the first instance, but are necessary to progress to the next level.

Trust me, it works!

One of the more interesting songs I wrote I was forced to write in preparation for a songwriting workshop I was going to. It had been a whole month since the last one and I’d been inspired in two or three different ways and so had two or three 80% complete songs. However in the whole month I just couldn’t locate the songwriting inspiration to finish them. In the end, I wrote a song out of sheer frustration in the last 20 minutes of a train journey home just before the workshop. In reality it wasn’t as good as I felt the other songs could’ve been if I’d finished them, but it was a self contained song. Self consistent, strong lyrically and melodically, but it wasn’t written from a place of inspiration, rather it was written from a place where I had a complete LACK of inspiration. However, it was the skills I’d been developing through regularly writing and sharpening my writing skills that allowed me to write a song, almost devoid of inspiration, that was still relatively strong as a song in its own right.

What is the essence of good songwriting? How does songwriting inspiration come into this?

So then, if someone can write a decent song in 20 minutes without any strong level of inspiration striking, what does that say about the essence of songwriting? Maybe that’s too broad a subject… what does it say about the importance of inspiration in writing a good song?

In my opinion, inspiration is the icing on the cake of determination – it can really enhance the flavour of the cake, but its the determination that is the minimum necessary component to make it to a complete song. I’m not a huge fan of cheesy metaphors, but inspiration is nothing without the drive to execute the inspiration through to completion. And this is so true when it comes to songwriting inspiration.

So I’d challenge you, if you’re feeling a lack of inspiration, don’t let it get you down. Just write, do it little and often, and know that you don’t need to wait for inspiration to strike before starting writing, as you can always infuse some afterwards.

Adam Levine – Payphone Acoustic + a few thoughts

I am a big fan of Maroon 5. Ever since I heard the album ‘Songs About Jane’, particularly the song ‘Sunday Morning’ I’ve been hooked on them.

Their sound has changed a lot in the last few years, but they are still a great band putting out great songs.

Here is an acoustic version of their single hit ‘Payphone’.

Now, though I share this as it’s a great performance and Adam Levine is a great singer and artist, notice the one or two fluffed notes near the beginning. Makes your butt-clench they’re so out right?

Adam is an excellent singer and more than capable of hitting those notes with ease and great quality, as is demonstrated aptly throughout the rest of the video. The challenge of hitting every note live is far harder than people give singers credit for. We are also held to an incredibly high (arguably unattainable) standard from perfect recordings created from hours and hours of endless takes, spliced from the best bits of each take and mastered to within an inch of their lives.

So I share this not just to share a great performance, but to encourage you that EVERYONE misses notes from time to time, even people who are paid JUST to sing, and who are performing their OWN songs, and only really have to prepare to perform these songs during their working week… so don’t beat yourself up if you miss the odd note. It’s OK!

Now, enjoy!

Natalie Weiss – Breaking Down the Riffs

Someone posted this in a Facebook group of which I’m a member, and I just had to share it.

Natalie Weiss is a singer that is presently touring with 25th Anniversary tour of Les Mis. She also absolutely kills it when it comes to riffing. She’s good, really good. Not only that, but she can break down these riffs for anyone to learn. And not only that, but she does it in an immensely logical and fun manner. It’s not necessarily easy to riff without some practice or knowing where to start, let alone teach it, but this is without a doubt the best and most accessible break down of riffs I’ve come across.

In just a few minutes you can hear how these riffs break down, and how you put them back together to get to the riff. Speed takes time, but you will get pretty close to full speed pretty quick thanks to Natalie.

Do check out Natalie’s vids, and her own stuff, on her Youtube channel!

Vocal folds video

Vocal folds video of the voice in action

I was introduced to this vocal folds video by another singing teacher as it shows what happens to the voice as a student sings higher and higher. Note how the vocal cords get stretched longer and longer gradually as the pitch ascends. Though you can’t see it, the vocal cords are also getting thinner in depth to allow for the change in pitch to be continue.

I found this video to be an eye-opening experience to how icky the inside of the human voice looks, but how it generates such a beautiful sound. Check it out! If you have any questions about this, leave a comment and I’m happy to chip in if I can help.

http://www.youtube.com/watch?v=ajbcJiYhFKY

Dirty Loops Cover of Adele’s Rolling in the Deep

A white Swedish Stevie Wonder, a bass player who looks like he should’ve been holding the bass chair for a jazz tribute version of Evanescence, and a drummer who thinks that just one groove is just not groovy enough. That’s the line-up for Dirty Loops, and they will blow your mind!

Check it!

While he might pull faces like he’s trying to pass a kidney stone, this guy has some killer vocals.