The Journey of a Voice: How Voices Change As We Get Older

I was chatting to some older singers recently, who were struggling with their voices and wanted to know how voices change as we get older. I mentioned this is fairly typical for untrained voices, and these were the varying responses…

What exactly happens to your voice as you get older?

I used to be able to sing pretty high with a strong voice when I was younger…

But now, it feels like I sing much lower, maybe an octave lower, and it’s much weaker than I remember.

This is actually a fairly accurate (albeit abridged) experience of what happens to voices that do not receive help as they age. As they asked, I explained what happens and why, and I thought it was worth discussing that here. Whether you are in your teens, over sixty, or somewhere in between, it is really helpful to know how the voice changes as we age, and what tends to happen along the way. Continue reading “The Journey of a Voice: How Voices Change As We Get Older”

Discipline vs Motivation: The Power of Sustainable Habit

All my clients are singers, and a large number are professional/professionally-minded musicians and artists. For various reasons, the kind of client that works with me tends to be at the higher end of the self-development mindset. This means that whatever they do, they tend to take it seriously and work hard at the things they do, to whatever extent they can.

Discipline vs Motivation

Something that often comes up with clients is the topic of discipline and/or motivation. This is true when there is often a lack of a specific musical outlet, or just when people have been doing the same thing for a long time. While I love my job and every day is different, I am at the same coal-face every day. As such, discipline is essential when it comes to working on my voice and continuing my own development.

To some extent, when external factors aren’t motivating us emotionally, this often highlights the difference between those who are highly disciplined irrespective of external circumstance, and those who are highly motivated primarily because of external circumstance. Continue reading “Discipline vs Motivation: The Power of Sustainable Habit”

Why certain singing questions SEEM important, but aren’t

If any of you have studied anything to a high level, you’ll know just how deceptively complex almost any given subject can be. This seems self-evident for subjects like quantum physics, philosophy, economics, brain surgery, microcomputers, etc. Even their subject titles require some explanation to most lay-people, and almost every word used within that subject requires deep understanding and definitions to put everything together.

The Learning Paradigm

With such subjects, we enter into a mental paradigm where we accept that complete knowledge of all elements is not possible. This paradigm directs helps us appreciate the vastness and nuance of the subject, and directs our learning. It also typically keeps us humble and always open to further insight.

Viewing subjects in this way usually helps us see the multi-faceted nature of such subjects, and not to assume anything. This further helps us to grasp that we need to study from experts, undergo apprenticeships, and spend many years in training to acquire requisite skills to get our understanding right.

One key thing to note: in such subjects we accept that often what may initially seem like an obvious and sensible question to ask, may in fact reveal a thought process that shows one does not (and sometimes cannot!) fully grasp the nuances of the subject at hand. Continue reading “Why certain singing questions SEEM important, but aren’t”

My Current Top Five Book Recommendations

Those who know me, know I read a fair bit. On an average month I read 2-5 books a month, typically one fiction and the rest are non-fiction.

This week I’ve been re-reading one of my favourite books on learning, which is one I think everyone should dip into (number 1 below). It then occurred to me “what other books do I think people should read?“. Hence, I thought I’d feature my current five book recommendations. Each of these dives into some aspect of learning in life. Picking even just one of these would – in my opinion – do everyone a world of good.

1. ‘Mastery’ by Robert Greene

Robert Greene is someone who is considered an ‘author’s author’. He is a voracious reader, and as he reads, he makes notes on the various topics he is digesting. He makes these notes on note cards, and categories these by subject into enormous notecard boxes. That way he is able to digest enormous topics bit by bit, then – when he is ready to publish – the material is already written and just needs to be knitted together.

In this book, he covers the goal of attaining ‘mastery’ of any given subject. The book itself is not just a commentary on great masters and the paths that led them to their own mastery – Da Vinci, Franklin, Darwin, etc – but it weaves those stories together with specific lessons drawn therefrom. The chapters then form an overarching trajectory that one needs to follow to get on the same path to mastery. Each chapter is engaging in it’s own right, but fits together neatly to give specific lessons that each of us (at any stage of skill development) can gain immensely from. It’s an absolute goldmine for those at any level of skill development. If you want to be a master at your craft, this is the book for you.

2. ‘Ego is the Enemy’ by Ryan Holiday

The only reason this book is listed as number two, is to provide a natural segue from talking about Robert Greene.

Ryan Holiday was one of the directors of American Apparel, and he acknowledges he was on a self-destructive streak of repeatedly making millions then losing millions during his early working years. Eventually he sat down to try and work out why he kept going the way he was going, and this book was one of the resulting works… which he produced under the advice and guidance of Robert Greene.

This book is about the danger and folly of ego. It covers great examples from history where people either exhibited great ego or great humility, and what that won or lost them. The ability to align our perception of ourselves with reality, to not take offense because someone says something that rubs against our self-perception, to not insist that something isn’t so even when the facts say otherwise – these are (as the book points out) clear examples of ego, and highlights the dangers that flow therefrom. If any of the above comments resonate with you, then this is a great book for you.

3. ‘Meditations’ by Marcus Aurelius

One of the key inspirational figures that Ryan Holiday references in Ego is the Enemy (and many of his other books) is Marcus Aurelius.

Aurelius was one of the last Roman emperors, and he kept a personal journal of his thoughts and insights. This was not written for public consumption, but for his own reflection and philosophising on life. The book ‘Meditations’ is this journal. It is considered essential reading for the Stoic school of philosophy. These are short little notes to himself, rather than lengthy chapters. It is like a little pocket book of helpful reminders to see things as they are, to not take things to heart, and to do your best. I’ve actually highlighted and tabbed mine up, and I find these thoughts extremely helpful when in some tricky situations.

The book is pocket sized, so very helpful for stowing in a jacket pocket and just diving into whenever you need some help to level out your thinking. If this sounds like you, it’s a great book to pick up.

4. ‘Bounce’ by Matthew Syed

Syed was table tennis champion at a time when one little street in Reading had produced more table tennis champions than the rest of the country put together – he was the best of that group. He dissects the factors that went into that, and many of those had nothing to do with him – they were purely circumstantial good fortune. This is a massively interesting aspect to any arena where one wishes to rise to the top, but it is only one aspect of this excellent book.

The book as a whole goes through the key factors involved in rapid and effective learning, and also draws essential lessons from top sports-figures and other disciplines. It’s also a lighter read than ‘Mastery’ by Robert Greene. If you want to learn similar lessons, but you know you (presently) lack the attention span, then this is the book for you.

Speaking of attention span…

5. ‘Deep Work’ by Cal Newport

Cal Newport hates social media. He doesn’t primarily do so out of principle, he hates it because of how it damages us as individuals. Social media has been proven to permanently erode our ability to concentrate for extended periods.

And given that everything of value, every high level skill, takes increasingly long periods of dedicated work and focused attention by individuals, social media is an enemy to self-development. While the book is not about social media, it IS about the importance in being able to focus on a given task for extended periods to truly rise to the upper tiers of ability, and to deliver something of value – whether for one’s own pleasure, or for commercial reasons. This covers various examples and draws lessons from their lives on the importance of cultivating this intense focus, and also the pitfalls of not doing so.

If you want to get a snapshot of what Cal Newport is talking about, he has an excellent Ted talk right here. Either way, I would highly recommend picking up his book.

Please… pick a book above that interests you, get it and read it. You’ll learn so much, and they all tesselate together very neatly.

Vocal Technique and Vocal Robustness

I regularly have conversations with clients and singers about vocal robustness, i.e. being able to sing for long periods, and for sustained touring schedules.

I’ve written numerous articles on the primary causes why people lose their voice on a regular basis, through overuse, misuse, and abuse. I’ve got a full listing of related articles at the footer of this article.

A lot of people see vocal robustness as something wholly separate to vocal technique. Robustness is somehow “just one of those things“, and technique is something separate, primarily determining range, tone, ability to riff, etc. However, they are not at all separate. Vocal robustness is inherently a by-product of good technique, and here’s why… Continue reading “Vocal Technique and Vocal Robustness”

The Danger of Labelling Yourself as One Thing or Another

There is a famous quotation attributed to the ancient Greek philosopher, Aristotle:

“We are what we repeatedly do. Excellence, then, is not an act but a habit.”

As it turns out, Aristotle never said these exact words. In 1926, author Will Durant gave this as a quasi-modernised summation of elements of Aristotle’s teachings.

But whether or not Aristotle said these exact words, this sentiment is very much rooted in his philosophies of actions, habits and virtue.

Many pedagogues and coaches cite this quotation to inspire people to practice, to knuckle down, to cultivate a habit of excellence. I have done and will continue to do the same. Such a message focuses on the second clause of this quote.

But there’s something wonderfully insightful in the first clause also, that we can often miss, especially as it pertains to the very on-trend topic of labels and identity.

“We are what we repeatedly do”.

The Problem with ‘Identity’

I bring this up, because I’ve recently had a lot of conversations – within the context of music and outside of it as well – about identity, especially when it comes to creating labels for oneself.

Worry not, we’re not going into the weeds on this. It’s a huge topic, with many facets, each with far more nuance, psychology and depth than I could possibly bring justice to. Instead, everything that follows is said within the context of voice.

Singers, like every human on earth, want to feel like they have a handle on who they are and what they should be doing – in our case, vocally speaking. They want to figure out who they are, what their voice is capable of, what they are good at, and cultivate artistry.

WHile this is a great goal, this tends to manifest in overly definitive, declarative statements beginning with “I am “. Moreover, people typically want to acquire their own ‘vocal manifesto’ ASAP in their vocal development, even if it is way too soon for them to ascertain such characteristics.

As such, often these labels are initially inaccurate, as less experienced singers frantically try to firm up a complete vocal identity for themselves. Labels are also static, whilst we as people are dynamic. We are never just one thing, and no one label ever sums us up fairly, accurately or completely.

Herein lies the danger I want to highlight for you: the danger of clinging so tightly to some label or immutable ‘identity’, such that it one cannot let go of this identity even when it doesn’t fit where one is at.

This can inhibit development massively, but even worse, it can be a huge source of unresolveable anxiety to the singer, especially when events in reality don’t marry up with some internally held standard. Let me share a few examples. Continue reading “The Danger of Labelling Yourself as One Thing or Another”

Vocal Aesthetic: Find Singers That Reflect YOUR Voice

A while ago I wrote an article called 5 Reasons: Why singing is like clothing…. While the article is not the most read article on my site, it is (in my opinion) something that is critically overlooked by far too many singers.

When it comes to building your voice to be capable of whatever you throw at it, having an appropriate ‘vocal aesthetic’ in mind is crucial. This is to both build your voice to be the best it can be (now and in the future), and also to minimise otherwise avoidable frustration. It’s this topic that I want to revisit this week.

Why ONLY looking at range can lead you down a dead-end

As it happens, I was working with a particular client this week. They have a great voice, and they brought in a selection of songs to look at towards the end of their session.

Now, every single one of the songs they had brought in, was well within their range and existing style capacity. Even just based on where we were taking their voice during vocal exercises, the melodies of the songs were less demanding in their range. So the natural question most would ask is, which song did we pick?

Answer: None of them

We looked at another singer entirely, one we had discussed and tried previously, but a different one altogether. But why? Continue reading “Vocal Aesthetic: Find Singers That Reflect YOUR Voice”

Why Trying to Teach Yourself to Sing Doesn’t Really work

Can You Teach Yourself to Sing?

I had a call with a prospective client the other week, and they asked whether it was possible for someone to teach themselves to sing. Now, whilst every single client I teach is technically “self-teaching” when they practise at home with our session recordings, whether singers can “DIY-build” their voice in isolation is something I’ve spent a lot of time thinking about… and also trying for myself, in fact.

Self-teaching is exactly how I started out. I used DVD courses, online lessons—even the early days of YouTube. Surely those avenues could work well for self-tuition, right?

Well, as I found out, self-building your voice doesn’t really work that way. In my opinion, this is for three primary reasons:

1. A Guitar or Piano Is a Finished Instrument—Your Voice Isn’t

When we learn a traditional instrument, even an inexpensive one, it’s already complete. A guitar has frets, strings, tuners. A piano has keys, hammers, and has likely been tuned before delivery.

But when we try to learn singing, the “instrument” is incomplete. The voice hasn’t been taught to transition through registers. Many people don’t even realise such registers exist, let alone how to coordinate them.

So when someone thinks they can self-teach voice the same way they taught themselves guitar, it’s a flawed comparison. The voice must be built and played at the same time. That’s a massive difference.

2. Building a Voice and Using a Voice Are Two Different Skillsets

Continuing the analogy: the person who builds a guitar (a luthier) is not necessarily the person who plays it. The same is true of singers and coaches.

When someone says they want to “DIY-build” their voice, they’re effectively saying they want to be both the instrument builder and the performer. That’s a huge undertaking. As a professional coach, I can tell you most people grossly underestimate the physics, physiology, acoustics, and psychology involved.

Even getting a grip on the basics requires a huge investment of time and study. It takes the skill of an experienced singer and coach to guide someone to the right coordination.

3. You’re the Only Person Who Doesn’t Hear Your Voice Accurately

We’ve all heard recordings of our own voices and thought, “That’s not how I sound.” That’s because we hear ourselves through a combination of air and bone conduction—and it’s misleading.

It takes a lot of time and experience to mentally override this distortion. Even then, it’s a trick your brain performs—not an accurate perception. That’s why it’s so hard to self-monitor your voice effectively. You need someone on the outside who can hear what you’re doing—and what you’re meant to be doing—to give targeted feedback and correction.

If You’re Serious About Your Voice, Get Help

Just like you wouldn’t DIY your own surgery or legal defence, you shouldn’t try to DIY your vocal development.

Find someone who knows what they’re doing. It will save you a huge amount of time, effort, and frustration. I’ve gone down that road, and I’ve worked with many others who tried to as well. It’s a cul-de-sac.

Learn More: Related Articles

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