The Colours of the Voice: How and why different registers have their own sound and feel (part 2 of 3)

In part 1, we discussed how the voice is made up of various registers, connected by transition points we call bridges. Each have their own colour, sound and feel. But learning about the idiosyncrasies of the voice is hard without some context to place it in. So let’s consider some other instruments first.   Part …

The Colours of the Voice: How and why different registers have their own sound and feel (part 1 of 3)

I’ve been trying to write about this for some time, but it’s not easy. Firstly, it’s a fairly abstract topic. Secondly, so much of singing well is sensory as well as sonic. As such, trying to get less experienced singers to recognise descriptions of what higher registers should feel like without said singers having experienced …

Coronavirus, Covid & Singing: How Covid-19 Appears to Affect The Singing Voice

In the last 2-3 months, I’ve worked with a number of clients online and spoken with a number of people who have had coronavirus/Covid-19 (either tested positive for, or strongly suspected to have had). While none of these cases have been hospitalised, all have experienced quite severe upper respiratory symptoms that have lingered for quite …

How different is your singing from your speaking voice?

One of the key principles that our technique is built on is using the natural calibration of your speaking voice (i.e. chest voice) as a roadmap to build our singing voice. The greater the deviation from our speaking voice co-ordination/calibration (evidenced by a different sound), the greater the level of issues singers tend to encounter. …