How to get high notes? Is your volume knocking you off balance? Demonstration courtesy of Circa Survive

How to get high notes?

This is possibly THE most common question I get asked ‘Mark, how do I get to those high notes? can you make it easy for me?’

The answer is ‘I’ll show you’ and ‘yes’, but I want to talk a little about a common culprit and little known issue that often prevents students getting there.

The Issue is often ‘Volume’

So, I often get students come in who sing waaaaay too loud… I often get get students who sing too quietly, but far and away the most common issue is singing too loudly.

Now, it is not that singing loud in itself is a bad thing, but often when singers sing verrry loudly they are knocking themselves off balance. Let me explain…

The voice is a very complicated instrument, but at it’s heart it’s a wind instrument. The sound is generated by your vocal cords, which is stirred into motion by you blowing air through them.

If you play a wind instrument or know someone who plays a wind instrument, then you or they will know that all wind instruments require a certain amount of air to ‘get going’. It’s not about having LOTS of air, nor very little air, but a decent moderate amount of air makes it the easiest way to start learning to play an instrument.

Wind instruments players will also tell you how you CAN increase the amount of air/air pressure, but it requires an increase in skill as well to control the instrument, otherwise you can lose control of pitch or the tone.

The same is true of the voice. Once you leave that comfortable ‘moderate’ amount of air flow, at a comfortable volume level, it requires skill to keep the vocal cords behaving themselves with that increased pressure. At this point, other muscles surrounding the larynx go into ‘panic’ preservation mode, and tense up to protect the larynx and the delicate muscles within the larynx… unless the skill of the singer permits the vocal cords to maintain appropriate behaviour even under that extra pressure.

Here’s an example by a band called Circa Survive. Their lead singer Anthony Green sings pretty darn high, but sometimes sounds like he’s tearing his throat apart in this electric amped environment:

ELECTRIC SONG

But in this acoustic enviroment, while he still strains, it is FAR less noticeable. By simply knocking his volume down 10-20%, he has verrry quickly entered that ‘optimal’ amount of air flow and suddenly the tension he is experiencing (and that we’re hearing) is far more manageable.

ACOUSTIC SONG

THIS is a prime example of where adding volume before the skill is there results in strain and tension. Now these guys are a great band, and I’m not trying to knock them, but the strain he is experiencing is visually and sonically evident throughout the first video.

So, if you’re finding it tough to maintain control, try knocking your volume down just 5-10%, maybe even 20% on those notes that are causing a problem, and see how that tension alleviates itself. It may not sound as strong to you, but that muscular co-ordination of your vocal cords is far more balanced… we can then build strength into that co-ordination so that it FEELS that easy, but SOUNDs absolutely massive.

It’s absolutely possible, just drop us a line to get booked in and we’ll show you how.

Riffing Lesson: Natalie Weiss does Tori Kelly’s Pretty Young Thing

Riffing is something many people think is harder than it actually is. Let me illustrate…

So here is a video of the amazing American artist Tori Kelly. There is just incredible control and artistry in this video by Tori.

Check out her stuff – really fresh and inspiring!

There is a KILLER vocal riff at 2m22s, which I’ve been giving a bash and I can promise you – it’s tough! That said, it is not as difficult as it might seem once you’ve broken it down. Here’s a link to a great singer Natalie Weiss Breaking Down This Riff – she was even teaching at a training conference I went to back in August 2013!

There are a great many things we all think are very difficult, but actually, EVERYTHING is difficult… until we’ve done it so many times that it becomes easy. Not only that, but sometimes it just takes a different perspective and simpler approach to make even the most seemingly-complex issue become pretty straightforward to solve.

With that in mind, if you want to start learning to riff, and learn the riff she pulls off at 2m22s, then check out this awesome video from Natalie Weiss from ‘Breaking Down The Riffs’

See? It might sound crazy but if you take it slow and break it down, it’s actually not as insurmountable as it first seemed.

So do me (and you!) a favour – ask yourself – what was the last thing you decided you COULDN’T do vocally? Is it too fast? Too high? Too low? Once you break it down, you may start to see in-roads to help you tackle the issue you’re struggling with. Honestly, all you need to start moving towards doing the very thing you’re scared of is adopting a different perspective and utilising the right tools.

Bruno Mars & Travie McCoy – Billionaire Acoustic Version

As I just tweeted, I am preparing a video presentation on how to build your business, and one of the elements I’m talking about is the importance of blogging. So here is a quick blog on one of my favourite artists (who I have talked about loads before) – the Wonderful Bruno Mars

Apologies for the language at the start – not sure why he opted for that in this version!

What a tune though, and I love the acoustic version. Enjoy!

Adam Pascal – Pity The Child

Another great youtube video. This guy’s name is Adam Pascal, and you may recognise him from the movie ‘School of Rock’. He was the bassist of the band that fired Jack Black’s character. He is an excellent all-round vocalist and singer.

The top notes if I recall correctly are around C#5/D5, and the run up into them is tough, but very melodic.

Key Learning Point

I’ll be honest, as impressive as this sounds, it gets a bit shouty. It’s not the widest I’ve ever heard someone sing and by jove he’s doing something incredibly difficult… but does it sound good? If we stuck it down a minor third, I reckon he’d FEEL a lot better whilst singing, and it’d SOUND a lot better.

It doesn’t lack quality, but there is an easy way to MASSIVELY bump up the already existent quality in his voice. If he can make it sound that good in THAT key, how much better would it sound when he’s not working for EVERY note?

I know we harp on about that, but quality matters. It’s what makes the difference between great singers and “merely good” singers. It’s ALSO what makes the difference between singers who last 5 years and the ones who last 50 years.

Remember, put quality first and the rest will follow.