Songs I Had On Repeat This Holiday

1. China Grove – Doobie Brothers

Without a doubt, the song I’ve enjoyed the most over this holiday. The guitar riff is cool, but the backing vocals are just fantastic. Pay particular attention to the chorus. Whenever the lead vocal isn’t doing something, there’s backing vocals echoing him or harmonising with him, and when there’s a gap, the harmonised guitars fill the gap with yet more call and response. It’s pure ear candy.

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Doobie Brothers – Live Concert

This is one of my favourite concerts by the Doobie Brothers. It’s recorded completely live, no overbuds or fixes. The live audio engineer did an amazing job.

Next time you listen to live music, remember that this is what the standard was back in the early 80s, so it’s amazing to think how few artists can deliver to this same standard despite us having better tech and nearly 3 decades of extra time to improve. Just incredible performance quality.

Five Songs From The Last Week

We’re back for another instalment of five songs from the last week to share with you:

1. You Make My Dreams – Hall & Oates

This is a golden-oldie, but with one hell of a groove, and a remarkable simple and accessible song structure. This is the kind of song I go in for in. I find myself admiring how natural the flow is, especially for how it transports the listener from start to finish with never a boring moment.


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Recording vs Live Performance – Which is harder?

As a singer and vocal coach of many years, I’ve spent a lot of time learning how to sing live, and record singing well in the studio. There are stark differences between the two, both in terms of challenges and also assessing the result. In this article I want to go over these differences, and compare recorded vs live performance challenges.

Back-story

I’ve spent a lot of time over the last few years recording myself and getting my recording abilities to a decent level. I’ve spent time recording tracks, mixing them, and making them sound as good as possible. It’s a skill in and of itself that I can constantly improve at…

… but when it comes to recording your own voice vs doing a live performance, which is harder, and which is easier?

Well, it’s not that simple. There are pros and cons each way. Let’s have a look at them in turn:

Recording

Pro: You can do multiple takes and take your time

Don’t like THAT line? Redo it. Don’t like that word? Redo it. Want to add another verse after recording? Easy. You exhaust yourself after every line? No problem, you can take your time. This aspect of recording has (in the most extreme scenarios) enabled people who can’t actually finish songs live from start to finish, to be able to put out songs and even albums.

Pro: You can precisely engineer your voice using technology

If you’ve sung something ALMOST perfectly, or you want to add harmonies that were never sung, or add effects etc, all of this is doable in post-production. You can elevate a good performance to great using technology, and make it sound completely natural.

Con: The average person’s recorded listening standards are incredibly high

The music industry is increasingly putting out albums with ZERO errors in. Even the voices have been pitch corrected to within an inch of their lives, and Joe Public has become accustomed to this. As such, the average person’s standards for how good recorded vocals should sound is ludicrously high, and almost unachievable without heavy editing and knitting together of best takes plus pitch correction to tighten up the sound.

As a personal anecdote, I’ve seen skilled singers get completely blown away by a vocal recording… but that same vocal recording only gets a “It’s OK, sounds decent” from the average member of the public. The average listener’s ears are now both highly sensitive to pitch “errors” due to how overly processed most music is today, and simultaneously not sensitive enough to nuances of highly skilled singers.

Con: Even small mistakes stand out and are permanently recorded

If you leave a mistake in the record, it’s there forever, immortalised for all time. People keep listening to songs repeatedly, so even hidden mistakes often end up being brought to the fore. The more people listen, the more errors end up being found in recorded vs live performance.

Live Performance

Pro: The average person’s ability to critically listen to live music is relatively low

In contrast to recorded vocals, the average person’s ability to hear small mistakes (sometimes even big mistakes) in a live scenario is extremely low, certainly in comparison to the recorded vocal standard.

In this regard I’ve often been cringing in response to some live vocals, where the average listeners are applauding and going wild for it. The standards of live vs recorded are very, very different.

Pro: Small mistakes are hard(er) to hear, and once the mistake is over, it’s gone

MASSIVE pro here. Make a mistake live? It’s just there for a moment and it’s gone, and listeners seem psychologically to be very able to let go of those mistakes, and enjoy each good moment as it comes. In contrast, recorded vocals seem to cause people to hang onto those errors as they can always scroll back and hear them again.

Con: You only get one chance at the song

With recorded vocals you essentially get all the time in the world. With live vocals, you have to go from start to finish in one go. Your performance is the recorded equivalent of your first take. As such, you’ve got to practise so as to get your first take to be above your “good enough” standard.

Con: You can’t engineer your voice using technology to anywhere near the same extent

You can of course EQ your voice or add effects, even run it through a computer with plugins that have live options, but they are restricted in comparison to studio recording options, and that’s still assuming you’re performing with a microphone. If you’re performing completely acoustically (e.g. voice and guitar, voice and piano, voice and something else), then you have nothing to hide behind. You can’t make your voice bigger or smaller using technology in the latter example, your voice just IS.

If you find this daunting, you’re not alone. There are plenty of singers (some I’ve met, and some famous examples) whose voices would be nothing without a microphone to heavily amplify what they are doing vocally, and with hefty modifications to their tone before it goes out of the PA.

Closing Thought

Have you noticed how the pros and cons of recorded vs live vocals are basically polar opposites? I find that remarkably interesting.

Closing question: what about recording live performances? This (arguably) reduces all the pros whilst keeping all the cons. Mistakes that weren’t heard live will be heard on record. You don’t get multiple takes, though you may be able to do some level of audio manipulation to improve things. This often requires overdubs and a lot of pitch correction to put out an ostensibly “live” album.

Makes you think, doesn’t it?

How different is your singing from your speaking voice?

One of the key principles that our technique is built on is using the natural calibration of your speaking voice (i.e. chest voice) as a roadmap to build our singing voice. The greater the deviation from our speaking voice co-ordination/calibration (evidenced by a different sound), the greater the level of issues singers tend to encounter.

Such issues can be physical, acoustic, and/or psychological. Let’s get into the first one now… Continue reading “How different is your singing from your speaking voice?”

How to sing when recording?

I received an email this week asking about how to sing when recording. I’ve re-parsed the sentences in the email so that the questions flow for the purposes of this article.

“Hi Mark,

Do you have any articles [or advice] on how to sing when recording? I feel like my recorded voice sounds both harsh and dull.

I wonder whether I sing too forcefully to try and get emotional intensity. Do I need to improve my loud singing? Or is it about singing differently when recording?

When I listen to my favourite artists’ recordings they sound alive, intense and still have nice higher resonances going on. Would getting a mic that can deal with louder singing help with not losing the higher resonances?”

What can we do?

Sorry to hear you’re having trouble with your vocal recordings. I happen to spend a lot of time recording and working on this stuff, so let’s dive into it… Continue reading “How to sing when recording?”

What is your musical diet? What are you consuming?

This week I want to ask you ‘what is your musical diet?’ A Youtube creator I follow called Rick Beato put this great video out last week on ‘Has every song been written?’ commenting on the fleet of lawsuits that artists are firing at each other over copying songs.

Now while he sets out to discuss the nature of this, it’s the last few minutes of the video (I’ve timestamped the video to start from this point) that I wanted to share with you. And that is in relation to musical diet

Continue reading “What is your musical diet? What are you consuming?”

Doobie Brothers / Michael McDonald – Minute by Minute

This week I’ve been enjoying some old classics by Michael McDonald and the Doobie Brothers.

Michael has been churning out hits for years, and is a singer that I wish more modern singers would emulate. What is particularly impressive is how well he delivers so many of his songs whilst simultaneously nailing quite tricky piano parts. While I find him a bit gruff from time to time, his vocals really are something special.

The rhythm and arrangement of the piano is especially interesting for songwriters, as it moves through multiple different keys, has some special modulations, and also directs the vocal line into some unusual places. A lot of songwriters around this time (like Michael McDonald) used this more rhythmic and harmonically sophisticated approach to create more complex songs. But through clever lyrics and melody, they made them very accessible rather than impenetrable.

Have a listen and enjoy!

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