Why can’t I sing as high as I used to? a.k.a. How a voice can go downhill

“Why can’t I sing as high as I used to?”

THIS is a question I get asked a lot. I’ve extensively covered the effects of aging on the voice in this article I previously wrote, but in this article I want to use some actual examples of voices that are golden voices in their own genres, but that have perhaps gone on to find their voices have gone downhill compared to their golden years.

It’s also helpful to hear these to realise that EVERYONE has their issues. I’m not picking on the following singers because I think they are bad (far from it!) but merely to remind us that they are human, and we all have peaks and troughs over time and day to day.

In each of these cases however, I’d put this down to issues in their technique that maybe weren’t backbreaking at age 20, but at age 30, 40, 50 or older become back-breaking technical issues for each of them.

The Allure of Youth

Note: It’s always easier to sing high and sound fresh when you’re young. This isn’t the primary sign of vocal ability, it’s a hallmark of youth. The challenge lies in building one’s voice so it gets stronger and fuller as you get older rather than getting run into the ground through bad habits and poor technique.

This is especially problematic when singers acquire commercial acclaim based on an unsustainable sound. Let’s go through a few examples I think show this issue well: Continue reading “Why can’t I sing as high as I used to? a.k.a. How a voice can go downhill”

Recording vs Live Performance – Which is harder?

I’ve spent a lot of time over the last few years on recording. I’ve spent time recording tracks, mixing them, and making them sound as good as possible. It’s a skill in and of itself that I can constantly improve at…

… but when it comes to recording your own voice vs doing a live performance, which is harder, and which is easier?

Well, it’s not that simple. There’s pros and cons each way. Let’s have a look at them in turn: Continue reading “Recording vs Live Performance – Which is harder?”

Ordering your song list

In the last article we talked about how to start creating a song list to help build your voice. This week – assuming you’ve got your list finalised and to hand – I want to give some further advice on how to shape and continually work with ordering your song list to improve your voice.

Firstly, consider how we use voice exercises

1) When we work on someone’s voice, we start with a warmup.
2) We then proceed to lower impact exercises designed to co-ordinate and connect the voice.
3) We then proceed to higher impact calibration and voice building exercises.
4) We may then proceed to a few voice checks that are designed to check where the voice has ended up after all that warmup/co-ordination/development work. Continue reading “Ordering your song list”

Three Versions of the Same Song – I Can’t Make You Love Me

One of the things I do whenever I’m learning a new song, is I try to find multiple versions to listen to – in this case, it’s “I Can’t Make You Love Me”. Sometimes this isn’t possible but generally there’s at least 2-3 versions of a given song out there for general consumption. The reason for me doing this is that each artist brings their own spin on a given song, which means I can hear different takes, but I can also get a better sense of the completely ‘neutral’ version of the song… the hidden structure/substrate that lies underneath singers’ versions of the song, rather than getting caught up in thinking this “ONE” version is the definitive version. Continue reading “Three Versions of the Same Song – I Can’t Make You Love Me”

Can singing lessons help a bad singer?

Can Singing Lessons Help a Bad Singer?

“I think I’m tone deaf, can singing lessons help a bad singer like me?”

“I can’t sing—will singing lessons help?”

“I’m awful at singing. My tone is bad and I struggle to even finish songs—can anything be done?”

If you’ve asked any of these questions, you’re not alone. The good news is: yes, singing lessons can absolutely help a bad singer. Like learning any instrument, developing your singing voice involves training, technique, coordination, and tone development.

1. “I might be tone deaf”

Most people aren’t actually tone deaf. True tone deafness means you can’t hear the difference between two pitches—high or low, they all sound the same. But most people know when they’re out of tune; they just can’t correct it easily.

That means it’s not tone deafness—it’s just a lack of coordination. It’s like knowing how juggling works but not being able to do it yet. With practice and the right technique, nearly everyone can learn to sing in tune.

Bonus anecdote: I once taught someone with medically certified profound deafness. With some guidance, they learned to sing mostly in tune—proof that this is a skill, not an innate gift.

2. “My tone is bad”

This is completely normal when starting out. Unlike a guitar or piano, your voice isn’t a finished instrument—you’re building it as you learn to use it. It’s rare to have a great tone straight away unless you’re genetically blessed.

But like any instrument, good tone comes with time and repetition. Tone is something we build.

3. “I run out of breath or can’t finish songs”

That’s stamina—and stamina takes training. Singing well requires managing air pressure, tone, power, and pitch simultaneously. It’s not unlike training for a sport: your voice develops its own fitness over time.

Bottom line: You can absolutely learn to build stamina, sing entire songs with ease, and feel confident in your voice. It’s a process—but a very achievable one.

Conclusion

If you’re wondering whether singing lessons can help a bad singer, the answer is a resounding yes. How far you’ll go depends on your commitment and willingness to train—but almost anyone can learn to sing well and feel proud of how they sound.

Related Articles

Recover your singing voice after illness – 6 Expert Tips

Knowing how to recover your singing voice after illness can be a royal pain in the bum. Singing after illness or after bouts of vocal fatigue (especially when viruses, colds, sinus issues, or mucous-heavy bugs have hit you) can frustrate and annoy even the most skilled singer.

Put simply, there is a certain amount you cannot control — you often have to let an illness run its course. However, there are also things you can do to minimise the derailing effect of symptoms during that course. There are also simple things you can do to ensure your voice is as good as it can be once the virus has finished its run.

In this post, I’ll take you through six key tips I use as part of my regimen to:

  • Get my voice through a tricky throat virus or cold-based sickness
  • Alleviate how the symptoms can further aggravate the voice

1. Drink more water, reduce diuretics like caffeine

When you’re in the full throes of a bug, you need to stay hydrated. Particularly with excess mucous, the more water you provide your body with, the easier it will be to shift. A doctor once advised me that the reason flu capsules make you feel better so quickly is not because of the paracetamol or other drugs, but because of the caffeine. It naturally makes you feel better when you’re rough, so go ahead and enjoy a coffee or tea.

However, at the tail end — when it’s the last bit of mucous left — caffeine’s diuretic effect really affects my ability to shift it. The mucous gets thick, difficult to clear, and promotes extra coughing. Try to reduce caffeine, coffee, tea, and soft drinks, especially as you recover.

2. Sleep and vocal rest

When you get sick, or hit the wall with vocal fatigue, you need rest. Exercise and general energy expenditure prevent recovery. You can’t heal if you’ve already drained your reserves (cortisol, adrenaline, etc.).

In one recovery, I forced myself to bed at 9pm every night and added a 2–3 hour nap in the day. A lot of people return to singing far too quickly, before they’ve even recovered.

So if you get sick, seriously — go to bed.

But what if your night-time rest is disrupted? Or the ailment worsens at night? That’s where the next point comes in.

3. Beware of post-nasal drip

This one is a colossal pain. The cold can often be minor, but as they end, post-nasal drip begins. Infection remnants lingers in the sinuses and drip onto your vocal folds and chest at night. This can lead to a heavy chest in the morning, but can often create morning voice issues, swelling and dysfunction, etc.

I had a particularly bad instance of this a few years ago. I’d go to bed with a normal voice, wake up in the night with a burning throat, and rise in the morning with a swollen, wrecked voice. It felt like I’d screamed myself hoarse each night.

It took nearly a week to recognise the signs and intervene. This was so damaging I had to cancel over a week of sessions. To illustrate just how bad this is, I’ve recovered to a functional level from laryngitis in two days. Post-nasal drip was significantly worse.

What helps:

  • Stay hydrated and rest (see points 1 and 2)
  • Prop yourself up at night with extra pillows to reduce drip landing on vocal folds
  • Nasal irrigation — clears infected material; only with sterilised water, never straight from the tap
  • Steroidal nasal sprays — e.g. Beconase (Beclametasone dipropionate), used sparingly and per label instructions

Standard disclaimer: I am not giving medical advice, just sharing what I personally use. Post-nasal drip can be minor, or it can wreck your voice. Take action if it persists.

If you’d like help fixing your voice that’s been badly affected by illness, and putting together a bespoke plan to help you keep your voice on track, you can book an initial consultation with me right here.

4. Reduce mucous-stimulating foods and inflammation triggers

Your vocal folds have a natural mucosal lining, but throat bugs often lead to excess production. This creates that gungy horror in your throat. Don’t add fuel to the fire: milk, eggs, chocolate, yoghurt, and similar foods can make it worse for many people.

Inflammation is also an issue, so avoid excessively hot food or anything that mildly triggers your allergies. It takes experimentation to know what matters for you.

Extra tip: A chemist client who worked on Boots’ chesty cough mixture told me the key active is guaifenesin. A 400mg dose helps thin mucous, making it easier to clear.

5. Stop coughing so damn much!

We all cough and clear our throats far too often. Constant coughing is damaging. Instead, carry a bottle of water — when you feel the urge, take a sip to soothe instead.

Sometimes you will have to cough, but it’s rarer than you think. Once you stop over-coughing, your voice recovers faster and stays less irritated.

6. Lip bubbles and semi-occluded exercises

Lip bubbles are a type of semi-occluded exercise. They create gentle back-pressure on the larynx and are low-impact. If I can vocalise, I use them to:

  • Keep my voice ticking over during illness
  • Shake off mucous gently without coughing
  • Rehabilitate the voice as it returns

One winter I had a throat cold that lingered for over a month. Once the worst passed, I spent a full day rebuilding my voice. 60% of that practice was lip bubbles or similar exercises, retraining my voice to move correctly. They’ve also helped with post-nasal drip recovery.

Wrapping up

These are my six main tips for coaxing a voice back after a bad throat bug. They’re what I find most helpful, and most singers find at least some of them useful too. You may discover other strategies with experience.

I don’t personally subscribe to singers’ teas or throat pastilles. For me, rest, diet, respect for your body, and correct application of technique are enough to return to singing after illness.

If you’re finding you regularly struggle with illness or wear-and-tear taking out for your voice for long periods, I’d love to help you rectify that. Book in an initial consultation to start work with me and we can address those issues. We can build a simple repeatable routine to help get your voice back on track – and keep it there.

How to become a singing teacher & what it takes

We went to a friends’ birthday party on Saturday and got chatting with someone about how to become a singing teacher.

What happened was, I struck up a conversation with someone my wife went to university with, and we were talking about what she did for a living. She then confessed she really doesn’t enjoy it that much, and is looking for a change. When I asked what she was thinking of doing, they said something along the lines of the following: Continue reading “How to become a singing teacher & what it takes”

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